By Mark Christiansen
This is often the single ebook within the After results marketplace to concentration solely at the construction of visible results, and is a one-stop source for someone who desires in-depth causes that demystify the world of visible results and the way they have been created, because of veteran writer Mark Christiansen's pleasant and available variety. A completely packed, informative learn, this masterful advisor makes a speciality of explaining the fundamental recommendations, positive aspects, and strategies which are key to making seamless movie-quality visible results. clients who're pleased with After results will discover a worthy evaluation of After results fundamentals—managing pictures, viewing and enhancing layers, animating kind, and more—so they could find out how to paintings smarter and extra successfully. Readers of all degrees will research middle suggestions for results compositing together with colour matching, keying, rotoscoping, movement monitoring, emulating the digicam, and concluding with utilizing expressions in After results, written through contributor and professional Dan Ebberts. the ultimate element of the e-book delves into inventive explorations, demonstrating specialist results that readers will need to re-create. Readers also will locate accomplished insurance of all that is new and makes this model of Adobe’s results software any such boon to video execs of all stripes: searchable timelines and initiatives, Photoshop 3D layers import, the caricature impact, Imagineer structures’ Mocha for Adobe After results, more desirable workflow for cellular units, and extra. through the publication, attractive full-color examples show what is attainable, whereas the better half DVD bargains demos of After results CS4, pattern pictures, and software program plug-ins.
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Additional info for Adobe After Effects CS4 Visual Effects and Compositing Studio Techniques
If you’re displaying timecode, you’ll almost never want to change the default Auto setting unless you’re working with footage containing more than one frame rate and need to conform everything to a particular standard. 16 I: Working Foundations If you’re working with frames, it’s typical to start numbering them at 1, although the default is 0. This applies to imported image sequences, not comps. Numbering in a comp is determined by the Start Frame number in Composition Settings (Ctrl+K/Cmd+K). Interpret Footage Feet+Frames in Display Style refers to actual reels of physical film, for those who still remember the 20th century.
30). 30 Whoops! The swatch (from the pixel under the cursor) looks black, but a glance at the Info palette shows that it is actually 2% gray. If you’re uncertain about pixel values, have a glance at the Info panel. Loop or rock and roll previews. Zoom in to the pixel level, especially around edges. Examine footage channel by channel (Chapter 5). Turn the Exposure control in the comp viewer up and down to make sure everything still matches (Chapter 5). Assume there’s a ﬂaw in your shot; it’s the only way around getting too attached to your intentions.
29 Chapter 1 Composite in After Eﬀects The shortcut for Shift+RAM Preview is, naturally enough, Shift+0 (on the numeric keypad). To set the Work Area to the length of any highlighted layers, use Ctrl+Alt+B/Cmd+Option+B. Disk Cache saves the time required to re-render a frame but doesn’t necessarily deliver real-time playback and often is not invoked when you might think it should be. The cache is not saved between After Effects sessions. If reﬁned motion is not critical, use Shift+RAM Preview. Preview Settings Here’s some cool stuff you do to customize a RAM Preview: .
Adobe After Effects CS4 Visual Effects and Compositing Studio Techniques by Mark Christiansen