Raphael Arteau McNeil's An approach to the ''Laws'': The problem of the harmony of PDF

By Raphael Arteau McNeil

ISBN-10: 1109073836

ISBN-13: 9781109073836

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13. The case of justice is tacitly omitted in that context, but Socrates raises a similar consideration later on except that that time, given the context, it would be Euthydemus who would appear to be the teacher of the disgraceful conclusion which links injustice to goodness (cf. Euthydemus, 296e3-297a2). 20 well—physical assets take their place: strength, swiftness, and sharpness of sense. Leaving aside the question as to whether these “goods” can serve a bad end or not,14 there is already a problem with regard to the aim of the argument, namely doing less.

The multiplicity of the goods that a happy human life requires was reduced to one: the knowledge of the political art. The inquiry into the nature of that knowledge, that is, the inquiry that aimed at finding the 72. Statesman, 311b7-c6. 51 work of the political art, culminated, however, in the re-emergence of the multiplicity of the goods: statesmanship is the art of weaving, or as we rephrase it, the art of harmonizing into one whole the human goods. The knowledge or the science that makes such an art possible appears to be the knowledge of both the heterogeneity of the goods and of the wholeness of the Good.

More precisely, the statesman’s work is not the city itself, but rather the oneness and the wholeness of the city. The city is needed because there is no god to provide for human needs. On that ground, we may say that cities come into being even if there is no true statesman to assist their emergence. , united or woven in the most correct way. In sum, even though there is an obvious connection between the city and the human things, it may be more prudent first to raise the question as to whether bringing about the wholeness of the city is the same thing as the harmonization of the human things.

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An approach to the ''Laws'': The problem of the harmony of the goods in Plato's political philosophy by Raphael Arteau McNeil


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